Free delivery on all orders above RM80 to Malaysia
Get 10% off all year round! Join Thryft Club

Your cart

Your cart is empty

Check out these collections!

Bestselling Fiction
Bestselling Nonfiction
Bestselling Books for Children
Vintage and Rare Books
Vinyl Records
Women's Clothing
Men's Clothing

Stay in touch and win free books

Keep up with our latest sales and events, and receive
recommendations direct to your inbox. We'll only send the good stuff, promise!

By completing this form, you are signing up to receive our emails and can unsubscribe at any time

Studies in Tectonic Culture: The Poetics of Construction in Nineteenth and Twentieth Century Architecture

by John Cava, Kenneth Frampton
Studies in Tectonic Culture: The Poetics of Construction in Nineteenth and Twentieth Century Architecture - Thryft
Studies in Tectonic Culture: The Poetics of Construction in Nineteenth and Twentieth Century Architecture - Thryft

Unveiling the poetic essence in modern architectural evolution.

If you're intrigued by the deeper meanings in architecture, then "Studies in Tectonic Culture" is a book you'll find hard to put down. Kenneth Frampton not only educates but also inspires, by tracing the poetic interplay between form and function in architecture. It’s like being given a key to unlock the soul of buildings, understanding their language from the bones outwards. The book will enrich your appreciation for the craft of construction and challenge the way you perceive modern structures.

Note: While we do our best to ensure the accuracy of cover images, ISBNs may at times be reused for different editions of the same title which may hence appear as a different cover.

Studies in Tectonic Culture: The Poetics of Construction in Nineteenth and Twentieth Century Architecture

by John Cava, Kenneth Frampton
Condition guide

Book Condition Guide

Books in Like New Condition

This book may contain very minor cosmetic defects, but it is in pristine condition. There should be no yellowing, no foxing, no water damage, and no annotations of any kind on the cover and the pages. For paperbacks, there should not be any crease marks on the spine. This book is good as new — lucky you!

*Books may be missing bundle media (e.g. CD, e-book code), if included.

Books in Very Good Condition

This book has been used, but it is still in a clean condition. There should be no foxing or annotations of any kind on the inner pages, but a sparse amount may be present on the cover, title pages, or outside edges of the book. There should be no water damage of any kind. For paperbacks, there may be light crease marks on the spine.

*Books may be missing bundle media (e.g. CD, e-book code), if included.

Books in Good Condition

We do our best to ensure the quality of our books, but there is no escaping the wear and tear that comes with time. Slight foxing and some annotations may be present on the pages and the cover. There should be no water damage of any kind. For paperbacks, there may be several crease marks on the spine.

*Books may be missing bundle media (e.g. CD, e-book code), if included.

Books in Well Read Condition

This is a well-read book, which means that the previous owner probably really enjoyed it! The cover and pages may include moderate foxing and annotations, but the text is not obscured and still readable. Moderate cosmetic defects and minor water damage may be present on the edges of the book. For paperbacks, there may be multiple crease marks on the spine.

*Books may be missing bundle media (e.g. CD, e-book code), if included.

 

Find out more about our process here.

Save 10% On This Item as a Thryft Club Member

Join Thryft Club for S$30/year and enjoy 10% off everything, plus S$10 off your first order. Join now →

ISBN: 9780262561495
Authors: John Cava, Kenneth Frampton
Publisher: The MIT Press
Date of Publication: 2001-10-01
Format: Paperback
Goodreads rating: 4.23
(rated by 171 readers)

Description

Composed of ten essays and an epilogue that trace the history of contemporary form as an evolving poetic of structure and construction, the book's analytical framework rests on Frampton's close readings of key French and German, and English sources from the eighteenth century to the present. Kenneth Frampton's long-awaited follow-up to his classic A Critical History of Modern Architecture is certain to influence any future debate on the evolution of modern architecture. Studies in Tectonic Culture is nothing less than a rethinking of the entire modern architectural tradition. The notion of tectonics as employed by Frampton—the focus on architecture as a constructional craft—constitutes a direct challenge to current mainstream thinking on the artistic limits of postmodernism, and suggests a convincing alternative. Indeed, Frampton argues, modern architecture is invariably as much about structure and construction as it is about space and abstract form. He clarifies the various turns that structural engineering and tectonic imagination have taken in the work of such architects as Perret, Wright, Kahn, Scarpa, and Mies, and shows how both constructional form and material character were integral to an evolving architectural expression of their work. Frampton also demonstrates that the way in which these elements are articulated from one work to the next provides a basis upon which to evaluate the works as a whole. This is especially evident in his
 

Unveiling the poetic essence in modern architectural evolution.

If you're intrigued by the deeper meanings in architecture, then "Studies in Tectonic Culture" is a book you'll find hard to put down. Kenneth Frampton not only educates but also inspires, by tracing the poetic interplay between form and function in architecture. It’s like being given a key to unlock the soul of buildings, understanding their language from the bones outwards. The book will enrich your appreciation for the craft of construction and challenge the way you perceive modern structures.

Note: While we do our best to ensure the accuracy of cover images, ISBNs may at times be reused for different editions of the same title which may hence appear as a different cover.