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Unique A groundbreaking exploration of information-based art.

This book is a must-read for art enthusiasts and scholars interested in the intersection of art and information. With its comprehensive examination of landmark exhibitions and influential artists, it offers a fresh perspective on the significance of information in art. The book challenges traditional boundaries and delves into the materiality, immateriality, embodiment, overload, potential for misinformation, and post-digital unruliness of information in art. Prepare to have your perceptions challenged and gain a deeper understanding of the role information plays in shaping artistic expression.

Note: While we do our best to ensure the accuracy of cover images, ISBNs may at times be reused for different editions of the same title which may hence appear as a different cover.

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ISBN: 9780262529341
Authors: Sarah Cook
Publisher: The MIT Press
Date of Publication: 2016-09-09
Format: Paperback
Related Collections: Art
Goodreads rating: 3.5
(rated by 10 readers)

Description

An art-historical reassessment of information-based art and exhibition curation, from 1960s conceptualism to current digital and network-based practices. This anthology provides the first art-historical reassessment of information-based art in relation to data structures and exhibition curation. It examines such landmark exhibitions as “Information” at The Museum of Modern Art, New York, in 1970, and the equally influential “Les Immatériaux,” initiated by the philosopher Jean-François Lyotard at the Centre Pompidou, Paris, in 1984. It reexamines work by artists of the 1960s to early 1980s, from Les Levine and N. E. Thing Co. to General Idea and Jenny Holzer, whose prescient grasp of information's significance resonates today. It also reinscribes into the narrative of art history technologically critical artworks that for years have circulated within new media festivals rather than in galleries. While information science draws distinctions between “information,” signals, and data, artists from the 1960s to the present have questioned the validity and value of such boundaries. Artists have investigated information's materiality, in signs, records, and traces; its immateriality, in hidden codes, structures, and flows; its embodiment, in instructions, social interaction, and political agency; its overload, or uncontrollable excess, challenging utopian notions of networked society; its potential for misinformation and disinformation, subliminally altering our perceptions; and its post-digital unruliness, unsettling fixed notions of history and place. Artists surveyed includeDavid Askevold, Iain Baxter, Guy Bleus, Heath Bunting, CAMP (Shaina Anand & Ashok Sukumaran), Ami Clarke, Richard Cochrane, Rod Dickinson, Hans Haacke, Graham Harwood, Jenny Holzer, Joseph Kosuth, Christine Kozlov, Steve Lambert and the Yes Men, Oliver Laric, Les Levine, László Moholy-Nagy, Muntadas, Erhan Muratoglu, Raqs Media Collective, Erica Scourti, Stelarc, Thomson & Craighead, Angie Waller, Stephen Willats, Young-Hae Chang Heavy Industries, Elizabeth Vander Zaag Writers includeJames Bridle, Matthew Fuller, Francesca Gallo, Antony Hudek, Eduardo Kac, Friedrich Kittler, Arthur and Marielouise Kroker, Scott Lash, Alessandro Ludovico, Jean-François Lyotard, Charu Maithani, Suhail Malik, Armin Medosch, Srinivas Aditya Mopidevi, Craig Saper, Jorinde Seijdel, Tom Sherman, Felix Stalder, McKenzie Wark, Benjamin Weil
 

Unique A groundbreaking exploration of information-based art.

This book is a must-read for art enthusiasts and scholars interested in the intersection of art and information. With its comprehensive examination of landmark exhibitions and influential artists, it offers a fresh perspective on the significance of information in art. The book challenges traditional boundaries and delves into the materiality, immateriality, embodiment, overload, potential for misinformation, and post-digital unruliness of information in art. Prepare to have your perceptions challenged and gain a deeper understanding of the role information plays in shaping artistic expression.

Note: While we do our best to ensure the accuracy of cover images, ISBNs may at times be reused for different editions of the same title which may hence appear as a different cover.