Books From University Presses

From Crocodile Dundee to Strictly Ballroom , from Breaker Morant to Mad Max , Australian film has delighted and moved audiences the world over. Now in a new edition, Australian Film makes available all the essential statistics on over 340 beloved feature films from leading film writers of thelast seventeen years, including Jane Campion, Jocelyn Moorhouse, Keith Connolly, Philippa Hawker, and Adrian Martin. This comprehensive and meticulously edited volume includes at least one superb still for each film covered, revealing a surprising number of local and international movie starsincluding Mel Gibson, Rachel Ward, Meryl Streep, Anthony Hopkins, Mia Farrow, Bryan Brown, Judy Davis, Sam Neill, Greta Scacchi, and Paul Hogan.The most in-depth look available at this important era in film-making, Australian Film is accessibly arranged with one film to a page. Each entry gives technical and cast credits which correct many factual errors and offers a succinct article covering the film's content and significance. Forthis second edition Scott Murray and his contributors assess the forty-two Australian films released in 1993 and 1994, detailing such international successes as Pricilla, Queen of the Desert , Sirens , and Muriel's Wedding . Also examined are films such as Mel Gibson's first and little-known movie Tim ,box office hits The Year of Living Dangerously , Green Card , and the Mad Max movies, and critically acclaimed films such as Strictly Ballroom , The Black Robe , My Brilliant Career , Breaker Morant , Gallipoli , The Man from Snowy River , The Chant of Jimmie Blacksmith , and An Angel at My Table . The mostcomprehensive reference to the films of the past two decades, Australian Film will both delight and edify all serious movie-goers and film buffs.

"The Cinema of Eisenstein" is an excellent read for film enthusiasts who want to delve into the history and theory of cinema. David Bordwell masterfully analyzes and brings to light Sergei Eisenstein's unique contributions to cinema, from his early silent film, "Strike", to his banned work, "Ivan the Terrible". With detailed attention to the artist's writings and theories, the book offers rich insights into Eisenstein's artistic influences, from Marxist Modernism to Socialist Realism to Symbolist poetics. It is a must-read for anyone seeking to understand the history and art of cinema.

Documentary Film Classics would be a great read for documentary enthusiasts who enjoy critical analysis of films. William Rothman examines major documentary films throughout history, including their underlying philosophical and historical issues. By reading this book, users can gain a deeper understanding of the achievements of these films as works of art in addition to learning about their historical significance.