The Rover; The Feigned Courtesans; The Lucky Chance; The Emperor of the Moon - Oxford World's Classics
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Witty, subversive comedies; early feminist theatre.
If you're drawn to the realm of restoration comedy with a touch of feminist flair, Aphra Behn's collection here could be a delightful dive. You get to experience the sharp wit and intricate plots that make classic comedies endure. Behn's work in "The Rover" and others in this volume is influential, demonstrating how she broke barriers as a female playwright in the 17th century. As you turn the pages of each play, her voice resounds with humor, critique, and an energy that could challenge and entertain any modern reader.
The Rover; The Feigned Courtesans; The Lucky Chance; The Emperor of the Moon - Oxford World's Classics
Regular price
- Unit price
- / per
ISBN: 9780199540204
Publisher: Oxford University Press
Date of Publication: 2008-06-15
Format: Paperback
Goodreads rating: 3.57
(rated by 337 readers)
Description
Aphra Behn (1640-89) was both successful and controversial in her own lifetime; her achievements are now recognized less equivocally and her plays, often revived, demonstrate wit, compassion and remarkable range. This edition brings together her most important comedies in a single volume: The Rover, her best-known play; The Feigned Courtesans, a lively comedy of intrigue; The Lucky Chance, a comedy with a bitter edge, which takes a satirical look at marriage customs; and the dazzling and popular farce, The Emperor of the Moon. All the plays have been newly edited and are presented with modernized spelling and punctuation. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
Condition guide
Book Condition Guide
Books in Like New Condition
This book may contain very minor cosmetic defects, but it is in pristine condition. There should be no yellowing, no foxing, no water damage, and no annotations of any kind on the cover and the pages. For paperbacks, there should not be any crease marks on the spine. This book is good as new — lucky you!
*Books may be missing bundle media (e.g. CD, e-book code), if included.
Books in Very Good Condition
This book has been used, but it is still in a clean condition. There should be no foxing or annotations of any kind on the inner pages, but a sparse amount may be present on the cover, title pages, or outside edges of the book. There should be no water damage of any kind. For paperbacks, there may be light crease marks on the spine.
*Books may be missing bundle media (e.g. CD, e-book code), if included.
Books in Good Condition
We do our best to ensure the quality of our books, but there is no escaping the wear and tear that comes with time. Slight foxing and some annotations may be present on the pages and the cover. There should be no water damage of any kind. For paperbacks, there may be several crease marks on the spine.
*Books may be missing bundle media (e.g. CD, e-book code), if included.
Books in Well Read Condition
This is a well-read book, which means that the previous owner probably really enjoyed it! The cover and pages may include moderate foxing and annotations, but the text is not obscured and still readable. Moderate cosmetic defects and minor water damage may be present on the edges of the book. For paperbacks, there may be multiple crease marks on the spine.
*Books may be missing bundle media (e.g. CD, e-book code), if included.
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Witty, subversive comedies; early feminist theatre.
If you're drawn to the realm of restoration comedy with a touch of feminist flair, Aphra Behn's collection here could be a delightful dive. You get to experience the sharp wit and intricate plots that make classic comedies endure. Behn's work in "The Rover" and others in this volume is influential, demonstrating how she broke barriers as a female playwright in the 17th century. As you turn the pages of each play, her voice resounds with humor, critique, and an energy that could challenge and entertain any modern reader.
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